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UK Portrait Artist John Payne |
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The art of portrait painting in oil colours
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The art of portrait paintingin oil colours
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THE PALETTE FOR THE FIRST PAINTING It will be understood that the variety of compounds comprehended in the following arrangements is given with the object of meeting every possible diversity of shade and hue. It will therefore not be necessary to place upon the palette, at one time, more than a selection of colours and tints, according to the complexion. These tints may be mixed upon a glass or marble slab, and placed upon the palette with the palette-knife, in such order as may bring the brightest to the extreme right, graduating them round to the left until the shade tints are placed, and to these may succeed pure colours. COLOURS AND TINTS FOR THE FIRST PAINTING Colours . White Yellow Ochre Light Red Venetian Red Raw Umber Terre Verte Naples Yellow Raw Sienna Vermilion Rose Madder Ivory Black Vandyke Brown
Tints : White and Naples Yellow White, Naples Yellow, and Vermilion White and Light Red White, Vermilion, and Light Red
FOR GREY, GREEN, AND HALF TINTS TO MEET AND BREAK THE CARNATION White, Black, and Vermilion, mixed to Reddish or Violet Greys White, Black, Indian Red, and Raw Umber White and Terre Verte White, Terre Verte, Black, and Indian Red
FOR CARNATIONS White and Rose Madder White and Indian Red
SHADE TINTS Raw Umber and Light Red Indian Red, Raw Umber, and Black
The hair, if light, can be freely painted in with White, Yellow Ochre, and Vandyke Brown ; and the same colours, with the addition of Raw Umber, will serve to sketch in dark hair, the darker colours, of course, prevailing.
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