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UK Portrait Artist John Payne |
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The art of portrait painting in oil colours
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The art of portrait paintingin oil colours
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THE EAR The ear is frequently treated with indifference. We find it, however, the subject of accurate study in all the works of our most eminent painters. In order to excuse neglect or indifference in painting the ear, it is urged that it is not an intellectual feature, that it does not contribute to resemblance, and that all ears are alike. It is true the ear has no expression, but it does very frequently contribute to resemblance, and all ears are certainly not alike : therefore, when this feature is represented in full light, it should be drawn and painted with the utmost precision. We see works in which the ear is dismissed with a very few touches ; in others, the softness of the lobe is fully described, and the cartilaginous surfaces of the upper part are finely indicated. By judicious disposition, the forms of the ear, either in being brought forward or made to retire, contribute much to the perspective in front of three-quarter views, and to breadth in profile. In infancy, the form of the ear is comparatively round, but it gradually elongates as age advances.
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